Twilight, the new film based on the popular book series by Stephanie Meyer, is a film that’s made primarily for three groups of people: Fans of the books, teen girls and gay boys. It’s dark, broody, overly emotional, and broody. Yes, I said ‘broody’ twice. Trust me, it’s no accident.

Since I haven’t read the book and I’m not a teen girl, I guess I’ll have to confess that I’m squarely in the third category of the intended target of the film. It’s a pity I didn’t like the film nearly as much as my partner, but I guess it’s more his kind of movie. Yes, plenty of girls and young women will drag their dates and boyfriends into the movie, but this is unquestionably a vampire-boy-chick-flick. Think Interview with the Vampire without Tom Cruise’s Lestat and throw in the “I’m not afraid to be close to a bloodthirsty predator” emo girl, and you’ve got Twilight.

What makes the film work is that it, like Troy, recognizes its target audience, and knows what they want: love story that has the sap oozing through each frame of the film, all-too-beautiful male stars who stir the hearts, plenty of unrequited passion, and enough tension to keep their interest. Throw in a few shirtless men and a good fight scene where one baddy vamp fights the good-guy vamp over the girl, and you have a fan-pleasing masterpiece. It’s too bad the rest of the audience isn’t all that interested. Read more »

Daniel Craig returns as Bond in Quantum of Solace, the 22nd film of the long-running British film series, once again proving his ability to carry the weight of a role that’s already been played by nearly half a dozen other actors. Casino Royale (2006) successfully — and triumphantly — rebooted the tired Bond series with critics and audiences alike comparing Craig to Sean Connery, whom many consider to be the best of all of the Bonds. It’s a pity that Solace never fully emerges from Casino‘s very long shadow.

Clearly, Craig’s performance as the womanizing sexist bastard who happens to be the world’s ultimate assassin is turning heads, with some critics even daring to commit the ultimate blasphemy by suggesting that Craig’s bond even outshines Connery’s.

This is not to say that Solace is a great film. In fact, even though it’s nearly non-stop action from start to finish, there’s very little time for the audience to breathe. Solace begins mere minutes after the events of Casino Royale, so if you haven’t refreshed your memory by watching Royale lately, you’re likely to be both confused and bewildered by the opening sequence of the film, if not the film itself. Read more »

While the naysayers of Journey to the Center of the Earth 3D will point to its 1959 classic predecessor, the new film succeeds in nearly everything it attempts. The only real down side is the fact that never really aspires to be more than a fun 3D escapist romp. To be sure, Journey has at least two major hurdles to overcome: the first film which starred Pat Boone, and the novel by Jules Verne.

Like a lot of films that languished for years in development hell, Journey met with its own bumps and twists, but those two major obstacles would have to be dealt with. In what is a classic modern avoidance tactics, script writers Michael Weiss, Jennifer Flackett, and Mark Levin chose to simply bypass both by referring to a world of “Verneians,” where certain people believe that Verne wrote his book based on fact, not fiction. Although I’m tempted to find out if such a group of people really exists, it’s just not that interesting an idea to pursue, so I’ll just move on.

Such illustrates both the success and the flaws of the film. By not giving into the challenge of adapting a 19th century story to the 21st century, director Eric Brevig is able to work free of any imposing need to meet expectations. This is a good thing, since clearly expectations are not really that high to begin with. Journey is Brevig’s first film as director, and took the helm with more than two decades of experience as a visual effects supervisor of a wide range of films including effects-heavy films like Scrooged (1988), Total Recall (1990), Hook (1991), Peter Pan (2003), and The Day After Tomorrow (2004).

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The Incredible Hulk (hereafter Hulk 2) is the second of the big Marvel Comics adaptations for this year, following closely on the heels of the wildly successful (and far better) Iron Man. The filmmakers would love for us to forget a few things, though—namely the 2003 Ang Lee film, Hulk. For me, that’s not too difficult a task.

Marvel Studios is clearly in the process of establishing something never before attempted in major blockbusters, the creation of a Marvel Universe similar to their comics—er—graphic novels that have been in print for generations. But enough for fanboy mindtwists for now. Read more »

There’s a lot to like with The Chronicles of Narnia: Prince Caspian (Hereafter Caspian). Unfortunately, there’s also a lot to dislike. With a mix of teen angst, childlike yearning, and rebel-gone-right personalities among the royal Pevensie brothers and sisters, our heroes (and presumably audiences) have returned once again to the world run by the most verbose lion in cinema (and literary) history. Only now, it’s more than two hundred years later than the events in the first film.

For fans of the original Narnia film, Caspian presents complete culture shock. Gone are the vast green fields and talking beavers that told of great lions. Instead, we’re met with a group of humans that behave… well… like humans. For a brief period of time, I wondered whether or not I was in the right multiplex auditorium. This was the first of many jarring distractions in what could have been a glorious cinematic experience. Read more »

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